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Fault Lines 在线电子图书 pdf 下载 txt下载 epub 下载 mobi 下载 2021


Fault Lines

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Sas, Miryam 作者
Stanford Univ Pr
译者
2002-2 出版日期
310 页数
$ 29.32 价格
Pap
丛书系列
9780804736497 图书编码

Fault Lines 在线电子图书 图书标签:   日本   


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发表于2021-09-22

Fault Lines 在线电子图书 epub 下载 mobi 下载 pdf 下载 txt 下载 2021

Fault Lines 在线电子图书 epub 下载 mobi 下载 pdf 下载 txt 下载 2021

Fault Lines 在线电子图书 pdf 下载 txt下载 epub 下载 mobi 下载 2021



Fault Lines 在线电子图书 用户评价

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“The more distant and true the two realities brought together, the stronger the image - and the more emotional power and poetic reality it will have” (14).

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“The more distant and true the two realities brought together, the stronger the image - and the more emotional power and poetic reality it will have” (14).

评分

“The more distant and true the two realities brought together, the stronger the image - and the more emotional power and poetic reality it will have” (14).

评分

作者比较文学出身,标题也暗示比较的野心——第三章从超现实主义的psychism入手探讨弗洛伊德impression model对东-西影响授受可能的启发(unconscious, belatedness, etc.),第四章谈到visual poetry和庞德一脉的关系,可惜都未很好展开。另外出版社不让in-text cite东亚文字尤其严重影响诗歌研究类的阅读啊,还是シュール…

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作者比较文学出身,标题也暗示比较的野心——第三章从超现实主义的psychism入手探讨弗洛伊德impression model对东-西影响授受可能的启发(unconscious, belatedness, etc.),第四章谈到visual poetry和庞德一脉的关系,可惜都未很好展开。另外出版社不让in-text cite东亚文字尤其严重影响诗歌研究类的阅读啊,还是シュール…

Fault Lines 在线电子图书 著者简介


Fault Lines 在线电子图书 图书目录


Fault Lines 在线电子图书 pdf 下载 txt下载 epub 下载 mobi 在线电子图书下载

Fault Lines 在线电子图书 图书描述

How can a movement like Surrealism be transferred, transplanted, or transported from one culture to another, one language to another? This book traces the creative dialogue between France and Japan in the early twentieth century, focusing on Surrealist and avant-garde writings. It opens a theoretical treatment of cultural memory, influence, visuality, writing, nostalgia, and nation to suggest a new perspective for the reading of modern Japanese culture and cross-cultural interactions. The author argues that the problem of literary influences should be recast as a problem of cultural memory, where analysis of causes and effects gives way to a deeper analysis of displacements and aftershocks, which she calls cultural "fault lines." The book analyzes the writings of Takiguchi Shuzo, Nishiwaki Junzaburo, Kitasono Katsue, and others whose work was associated explicitly with the Surrealist movement in Japan. It also incorporates readings of other experimental works and postwar performances that reflect the wider impact of these avant-garde ideas. The author argues that a vision of alterity, a foreign space located somewhere beyond, plays a crucial role in formulations of avant-garde praxis in both the Japanese and French contexts. Here exploration of Japanese notions of the Surreal, calling for a rereading of received notions about French avant-gardes, leads to a reconfiguration of this period, written less as a narrative history of literature than as the nonlinear route of a multivalent dialogue. Japanese Surrealism is important both for the specific questions it raises and for its exemplary place as an encounter between cultures, literary movements, and languages. As a movement that challenges and breaks apart clear and bounded conceptions of language, poetry, and the transmissibility of meaning, Japanese Surrealism reframes the relation between content and consciousness and is thus a particularly strong and revealing case of cultural interaction. What this avant-garde encounter makes apparent is that inherent discontinuities and fragmentations within individual cultures can also become crucial opportunities for productive intersections between distant realities and distant cultures.

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